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Ornamental tripod and two vases, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
A dancer from a Bacchanalian Festival found in the ruins of Pompeii
Girolamo Carattoni
1787
Heads found in the tomb of Scipio, from "Monumenti degli Scipioni"
Francesco Piranesi
1785
Flora, from "Classical Statues in Rome"
Francesco Piranesi
1784
Arrotino, from "Classical Statues in Rome"
Francesco Piranesi
1785
View of the tomb of Mamia in the ruins of the city of Pompeii
Francesco Piranesi
1789
Plan of Hadrian's Villa at Tivoli
Francesco Piranesi
1781
Plan and Elevation of a food shop, the second in the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 10
Francesco Piranesi
1804
View of the door and peristyle of the Temple of Vesta [Temple of the Sibyl], tavola 1 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
The eight other Signs of the Zodiac, with Cancer represented as a crab, rather than as a crayfish, plate 12 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde.
Francesco Piranesi
1801–2
View of the remains of the cella of the Temple of Neptune, plate 17 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Friezes with the figures of Jupiter and Minerva raised up in the middle of the scroll pattern, with alternating Nymphs and Geniuses, plate 9 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
The Medici Apollo [Apollino], from "Classical Statues in Rome"
Francesco Piranesi
1781
Plan of the Course of the Water in Lago Fucino
Francesco Piranesi
ca. 1790
Plate III: Front view of Trajan's column, from six plates
Giovanni Battista Piranesi
1774–79
Cut-away of the width of the Tomb of Mamia, of its plan, of its Ustrinum, and of its circular portion called the Schola, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 36
Francesco Piranesi
1805
Title page (first edition), vignette: Fragment of a shield spearated from the Trophies of Octavian Augustus, now in the courtyard of the Mendicant Fathers at Torre de'Conti, from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
One of the heroes who competed in the race for the daughters of Danaus, choosing and taking his Bride, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 18
Francesco Piranesi
1805–7
Side view of the Pantheon with the Remains of the Baths of Agrippa, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Antiquités de la Grande Grèce, Aujourd'hui Royaume de Naples, Gravées par Francois Piranesi, Membre de l'Academie de Stockolm, Ancien Ministre de Suede, et Chevalier de l'Etoile Poliare et de Leperon / Premiere Volume, Contenant les Usages civils, militaires et religieux [...]
Francesco Piranesi
1807
Glass Caraffe and Vases, with faceted Crystal Drinking Glasses, used for different purposes and found in Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 25
Francesco Piranesi
1805
Plan of the Temple of Vesta in Tivoli, tavola 2 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
1780
View of the Pantheon with a reconstruction of its ornament, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Mercury, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Tomb Inscriptions, and others, found in buildings adjacent to the entrance to the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 7
Francesco Piranesi
1804
Cross-sections, which illustrate the scena stabile of the front, and of the stairs that go up to the second Precinzione, tavola 6 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi
1783
The Birth of Venus (La Naissance de Vénus), plate 7 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804
Gemini as Zephyr and Flora, and Virgo as weeping Erigone, plate 11 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
View of the remains of the pronaos of the building known as the College des Anfictions...(Basilica), plate 5 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Bronze helmet that was used in shows, found in the excavations of Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 3
Francesco Piranesi
1805
Germanic Cesare in the guise of Mercury with a turtle, from "Classical Statues in Rome"
Francesco Piranesi
1769
General plan of the Continuation of the street, and of the buildings adjacent to the house of the surgeon, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 44
Francesco Piranesi
1806
Venus and Psyche, from "La Fable de Psyché", Villa Farnesina, bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Bound Volume I of "Le Antichità Romane" (Roman Antiquities) opening with 1779 portrait of Giambattista after Cades and title page dedicated to Gustav III of Sweden, a plan of Rome, followed by many other plates
Giovanni Battista Piranesi
1756–79
Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto
Giovanni Battista Piranesi
1761–1809
View in perspective of the Thermopolium, its works and its ornaments, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 11
Francesco Piranesi
1804
The Genius of Mars (Génie de Mars), plate 3 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1803
Large demonstration [illustration] of the hinges that support the door of the surrounding wall of the temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 64
Francesco Piranesi
1805
Temple of Minerva Medica, and facade of the Church of S. Vito, tavola 32 from "Antichità Romane fuori di Roma disegnate ed incise da Giambatta Piranesi Architetto Veneziano Parte Seconda" (Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect, Part Two)
Francesco Piranesi
printed after 1775